A STILL LIFE OIL PAINTED BY HENDRIK VANDER BORGHT IN 1650 WITH ANCIENT COINS FROM DACIA: A HIGHLY EDUCATED WORK AND A POLITICAL MANIFESTO

Authors

DOI:

https://doi.org/10.14795/j.v8i1.599

Keywords:

Hendrik Vander Borght, painting, ancient artefacts, Transylvania

Abstract

An oil painting by Hendrik Vander Borght and dated 1650 displays an assemblage of Roman vases (6 in clay and 2 in glass) and 11 ancient coins (3 Greek, 3 Roman Republican and 5 Roman Imperial), depicted with an astonishing accuracy, allowing a precise identification for most of them. From an archaeological point of view, such a grouping of coins can only come from ancient Dacia. It is argued here that the painting is organized in order to display a political manifesto for the good ruler, strong, but not autocratic. It may refer to the general uncertainty felt soon after the Treaty of Westphalia (1648) which ended the Wars of Religion, but it may also be more precisely related to Transylvania at a time when the young and adventurous George II Rákóczi was recklessly preparing to invade Poland, after having succeeded in 1648 his father George I, whose reign was remembered as a golden age for Transylvania.

Downloads

Download data is not yet available.

Author Biography

  • Francois de Callatay, Université libre de Bruxelles Ecole Pratique des Hautes Etudes Paris
    Professor

References

ATTWOOD 2003

Attwood, Ph., Italian Medals c. 1530-1600 in British Public Collections 1 (London: The British Museum Press).

BANDURI 1719

Banduri, A., Bibliotheca nummaria sive auctorum qui de re nummaria scripserunt (Hamburg).

BERGER 1993

Berger, F., Die mittelalterlichen Brakteaten im Kestner-Museum Hannover (Hannover: Kestner-Museum).

BURNETT 2020

Burnett, A.M., The Hidden Treasures of this Happy Land. A History of Numismatics in Britain from the Renaissance to the Enlightenment [BNS Special Publications 14 = RNS Special Publications 58] (London: Spink).

BRULET/VILVORDER/DELAGE 2010

Brulet, R./Vilvorder, F./Delage, R., La céramique romaine en Gaule du Nord. Dictionnaire des céramiques: la vaisselle à large diffusion (Turnhout: Brepols).

DE CALLATAŸ 2014

de Callataÿ, Fr., La controverse « imitateurs/faussaires » ou les riches fantaisies monétaires de la Renaissance. In: Mounier, /Nativel, C. (eds.), Copier et contrefaire à la Renaissance. Faux et usage de faux (Paris: Honore Champion Editions], 269-291.

DE BIE 1662

de Bie, J., Het gulden cabinet vande edel vry schilder const: inhoudende den lof vande vermarste schilders, architecten, beldthouwers ende plaetsnyders, van dese eeuw (Antwerp: Ian Meyssens).

DÖVENER 1993

Dövener, Fr., Deux ‘cruches à visage’ britanno-romaines découvertes à Boulogne-sur-Mer, Revue du Nord 301, 97-102.

DÖVENER 2000

Dövener, Fr., Die Gesichtskrüge der römischen Nordwestprovinzen [BAR International Series 870] (Oxford: Archaeopress).

DRAGENDORFF 1895

Dragendorff, H., Terra sigillata. Ein Beitrag zur Geschichte der griechischen und römischen Keramik, [Bonner Jahrbücher 96-97] (Bonn: A. Marcus).

FABRICIUS 1712

Fabricius, J.A., Supplementum Bibliothecae Latinae (Hamburg: B. Schiller).

GNECCHI 1912

Gnecchi, F., I medaglioni Romani (Milan: Forni).

GÖBL 1973

Göbl, R., Ostkeltischer Typen Atlas (Braunschweig: Klinkhardt & Biermann).

GORLAEUS 1601

Gorlaeus, A., Dactyliothecae, seu annulorum sealarium quorum apud priscos tam Graecos quam Romanos usus ex ferro, aere, argento et auro (Leiden).

HAMON 2010

Hamon, Ph., L’or des peintres. L’image de l’argent du XVe au XVIIe siècle (Rennes: Presses universitaires).

HARDING 1996

Harding, R., John Evelyn, Hendrick van der Borcht the Younger and Wencesclaus Hollar, Apollo 144, 39-44.

HOLTEN 2016

Holten, J. (ed.), Gutes böses Geld. Eine Bildgeschichte der Ökonomie. Money, good and evil. A visual history of the economy (Bielefeld: Kerber Christof Verlag).

JOHNSON/MARTINI 1989

Johnson, C./Martini, R., Milano, civiche raccolte numismatiche. Catalogo delle medaglie, secolo XVI: Cavino [Bollettino di numismatica. Monografie 4], (Rome: Istituto Poligrafico e Zecca dello Stato).

KLAWANS 1977

Klawans, Z.H., Imitations and inventions of Roman coins. Renaissance medals of Julius Caesar and the Roman Empire (Santa Monica: Society for International Numismatics).

KUHN 2015

Kuhn, H., Die leibhaftige Münze. Quentin Massy’s Goldwäger und die altniederländische Malerei (Paderborn: Wilhelm Fink).

LÖSCHKE 1919

Löschke, S., Lampen aus Vindonissa. Ein Beitrag zur Geschichte von Vindonissa und des Antiken Beleuchtungswesens (Zürich/Frankfurt am Main: Beer).

LUDOWICI 1905

Ludowici, W., Stempel-Bilder römischer Töpfer : aus meinen Ausgrabungen in Rheinzabern (München : Meisenbach, Riffarth & Co.).

MARR 2010

Marr, A., The Flemish ‘Pictures of Collections’ Genre: An Overview, Intellectual History Review 20/1, 5-25.

ÖLMANN 1914

Ölmann, Fr., Die Keramik des Kastells Niederbieber — Materialien zur römisch-germanischen Keramik I (Frankfurt am Main: J. Baer).

PACE 2014

Pace, T.D., A typology of Roman locks and keys, PhD, Southwestern Baptist Theological Seminary, Fort Worth (Texas).

PROKOPOV 2006

Prokopov, I., Die Silberprägung der Insel Thasos und die Tetradrachmen des thasischen Typs vom 2.-1. Jahrhundert v.Chr. (Berlin: Akademie Verlag).

CRAWFORD 1974

Crawford, M.H., Roman Republican Coinage (Cambridge: University Press).

SCHELHORN 1753

Schelhorn, J.G., Commercii epistolaris Uffenbaschiani selecta variis observationibus, (Ulm/Memmingen: Gaum).

UFFENBACH 1735

Uffenbach, Z.C., Bibliotheca Uffenbachiana seu Catalogus Librorum III (Frankfurt: Varrentrapp).

WALPOLE 1762

Walpole, H., Anecdotes of Painting in England II (London: Thomas Kirgate).

WELU 1983

Welu, J.A., The Collector’s Cabinet: Flemish Paintings from New England Private Collections (Worcester: Art Museum).

ZEHL 1995

Zehl, G., Die Frankenthaler Malerfamilie van der Borcht. In: Hürkey, E.J./Bürgy-de Ruijter, I. (eds.), Kunst. Kommerz, Glaubenskampf – Frankenthal um 1600. Katalog der Ausstellung im Erkenbert-Museum 17.05–06.08.1995 (Worms: Wernersche Verlagsgesellschaft), 138-148.

Downloads

Published

2021-04-09

Issue

Section

Numismatics

How to Cite

A STILL LIFE OIL PAINTED BY HENDRIK VANDER BORGHT IN 1650 WITH ANCIENT COINS FROM DACIA: A HIGHLY EDUCATED WORK AND A POLITICAL MANIFESTO. (2021). JOURNAL OF ANCIENT HISTORY AND ARCHAEOLOGY, 8(1). https://doi.org/10.14795/j.v8i1.599

Similar Articles

1-10 of 362

You may also start an advanced similarity search for this article.